Jimmy Rogers was born James A. Lane in Ruleville, Mississippi, on June 3, 1924, and was raised in Atlanta and Memphis.[1] He adapted the professional surname "Rogers" from his stepfather's last name. Rogers learned the harmonica alongside his childhood friend Snooky Pryor, and as a teenager took up the guitar and played professionally in East St. Louis, Illinois (where he played with Robert Lockwood, Jr., among others), before moving to Chicago in the mid 1940s.[citation needed] By 1946 he had recorded his first record as a harmonica player and singer for the local Harlem record label (not to be confused with the New York based label of the same name), although his name was not included on the label — the record was issued under the names "Memphis Slim and his Houserockers".

Rogers joined Muddy Waters the next year, with whom he helped shape the sound of the nascent Chicago Blues style. Although he had several successful releases of his own on Chess Records beginning in 1950 with "That's Alright", he stayed with Waters' until leaving his band for a solo career in 1954. In the mid 1950s he enjoyed several successful record releases on the Chess label, most notably "Walking By Myself", but as the 1950s drew to a close and interest in the blues waned, he gradually withdrew from the music industry. In the early 1960s he worked as a member of Howling Wolf's band, before finally withdrawing from the music business altogether for almost a decade. He worked as a cab driver and owned a clothing store, until his store was burned in the Chicago riots that followed the assassination of Dr. Martin Luther King, Jr. in 1968. He gradually began performing in public again, and in 1971 when fashions made him a reasonable draw in Europe, Rogers began occasionally touring and recording again, including a 1977 reunion session with his old bandleader Waters. By 1982, Rogers was again a full-time solo artist.

In 1995 Rogers was inducted into the Blues Hall of Fame.[2]

He continued touring and recording albums until his death in 1997, in Chicago. He was survived by his son, James D. Lane, who is also a guitarist and a record producer and recording engineer for Blue Heaven Studios and the APO Records label.

Reverend Gary Davis was a towering figure in at least two realms. As a finger-style guitarist he developed a complex yet swinging approach to picking that has influenced generations of players, including Jerry Garcia, Ry Cooder, Dave Van Ronk, Jorma Kaukonen and Stefan Grossman. And as a composer of religious and secular music he created a substantial body of work that has been recorded by, among others, Bob Dylan, Jackson Browne, Peter Paul & Mary and the Grateful Dead, not to mention Davis's own releases.

From the perspective of his one hundredth birthday (April 30, 1896 in Laurens, South Carolina -- he died on May 5, 1972 in Hammonton, New Jersey), the Davis legacy looms especially large. Early musical experiences at Center Raven Baptist Church in Gray Court, South Carolina, were at the core of strong religious convictions that helped him cope with blindness, and in 1933 he was ordained as minister of the Free Baptist Connection Church in Washington, North Carolina. For years he toured as a singing gospel preacher and also sang on the streets, mostly in Durham. During this period he crossed paths and eventually recorded with Blind Boy Fuller and other "Piedmont style" musicians, including Brownie McGhee and Sonny Terry.

By 1940 Reverend Davis had found his way to New York City, where he was ordained minister of Missionary Baptist Connection Church. Here his recording career began in earnest, first for Asch and Folkways Records (now available on Smithsonian/Folkways), and later for Prestige (now available on Fantasy).

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Furry Lewis (March 6, 1893 - September 14, 1981[1]) was a country blues guitarist and songwriter from Memphis, Tennessee. Lewis was one of the first of the old-time blues musicians of the 1920s to be brought out of retirement, and given a new lease of recording life, by the folk blues revival of the 1960s.

Life and career

Walter E. Lewis was born in Greenwood, Mississippi, but his family moved to Memphis when he was aged seven. Lewis acquired the nickname "Furry" from childhood playmates. But by the time he was re-discovered in the 1950s not even Furry himself could remember why.

By 1908, he was playing solo for parties, in taverns, and on the street. He also was invited to play several dates with W. C. Handy's Orchestra.

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James Cotton (called Cotton by his friends) was born
on the first day of July,1935, in Tunica, Mississippi. He was the
youngest of eight brothers and sisters who grew up in the cotton fields working beside their mother, Hattie, and their father, Mose. On Sundays Mose was the preacher in the area's Baptist church. Cotton's earliest memories include his mother playing chicken and train sounds on her harmonica and for a few years he thought those were the only two sounds the little instrument made. His Christmas present one year was a harmonica, it cost 15 cents, and it wasn't long before he mastered the chicken and the train. King Biscuit Time, a 15-minute radio show, began broadcasting live on KFFA, a station just across the Mississippi River in
Helena, Arkansas. The star of the show was the harmonica legend, Sonny Boy Williamson (Rice Miller). The young Cotton pressed his little ear to the old radio speaker. He recognized the harmonica sound AND discovered something - the harp did more! Realizing this, a profound change came over him, and since that moment, Cotton and his harp have been inseparable - the love affair had begun. Soon he was able to play Sonny Boy's theme song from the radio show and, as he grew so did his repertoire of Sonny Boy's other songs. Mississippi summers are ghastly, the heat is unrelenting. He was too young to actually work in the cotton fields, so little Cotton would bring water to those who did. When it was time for him to take a break from his job, he would sit in the shadow of the plantation foreman's horse and play his harp. His music became a source of joy for his first audience. James Cotton's star began to shine brightly at a very early age.

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Oscar Emmanuel Peterson, CC, CQ, O.Ont. (15 August 1925 – 23 December 2007)was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, "O.P." by his friends, and was a member of jazz royalty. He released over 200 recordings, won seven Grammy Awards, and received other numerous awards and honours over the course of his career. He is considered to have been one of the greatest pianists of all time, who played thousands of live concerts to audiences worldwide in a career lasting more than 65 years.

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Ray Charles Robinson (September 23, 1930 – June 10, 2004), known by his stage name Ray Charles, was an American pianist and singer, who shaped the sound of rhythm and blues. He brought a soulful sound to country music and pop standards through his Modern Sounds recordings, as well as a rendition of "America the Beautiful" that Ed Bradley of 60 Minutes called the "definitive version of the song, an American anthem — a classic, just as the man who sung it." Frank Sinatra called him "the only true genius in the business".

In 2004, Rolling Stone Magazine ranked Charles number ten on their list of the 100 Greatest Artists of All Time and also voted him number two on their November 2008 list of The 100 Greatest Singers of All Time.